Wednesday, November 23, 2016

The Four Most Common Film Formats

There are many different formats of film that filmmakers, all over the world, use when shooting their project. There are so many that it would take an extremely long time to list them all below. However, I will provide information about the four most commonly used film formats and what they look like.

Important Notes:

*Reversal film produces a positive image on a transparent base and also regarded as motion picture film.

*Negative film produces images whose colors are inverted after being developed. The
complementary color is produced from the subject being shot.



Super 8

Super 8 film is favored when shooting films that are intended for promotion, documentaries, and related projects. Super 8 is the smallest of the four and can be purchased in reversal or negative format.

16 mm

16 mm film is widely used for low budget films and teaching purposes at universities. It can be ordered either single or double perf and can actually be blown up in development to fit 35 mm film prints.

35 mm

35 mm film is widely used for feature films as well as television and even commercials from the mid-late 20th century. The majority of films from this time, that were presented in movie theaters, project this film format, which again is the same format the films were shot with.

65 mm (70 mm)

65 mm is one of the largest formats of film. When shooting, 65 mm is used to film the entire project. When the film is sent in to be printed, it is printed on 70 mm film which is most commonly referred to as IMAX and the very large projection screen formats. The majority of films nowadays are filmed with this format, including films like The Revenant and Star Wars Episode VII: The Force Awakens.

Monday, November 21, 2016

Film Theory: The Four Levels of Meaning

When we go to see a film, whether its alone or with friends, we typically talk about it in greater detail among one another after it has finished. Usually doing so allows us to gain a better understanding of what was presented to us not to long ago. What most people don't do, is analyze the narrative within the film, where the true artistic side of the director is properly exposed. Many people don't analyze every film they watch, but in doing so, one can learn about the importance of the film as a whole as well as more about one's personal self. There are four main levels of meaning that are found in all films, some are easier to understand than others, and some lack a few completely, do to the extensive lack of attention many rookie filmmakers fail to give their story.

Referential: Referential meaning is the easiest form to understand. This is what the vast majority of people do when discussing the film after it is finished. Referential meaning refers directly to everything that was a part of the plot of the film. Some implications of the story that are revealed in the plot are discovered here as well. Think of it as describing the plot of a film to a colleague who has never seen the film before, you just explained the film's referential meaning.

Explicit: The best way to describe the explicit meaning of a film is to refer to the term as discovering the "moral of the story." This can best be explained by the characters actions and direct lines to one another in the film. We are able to relate personalities with each character and we can understand the reasoning behind the various plot points within the film. Another aspect of explicit meaning is the understanding of what drives the motives of the characters in the film and why they are doing what they are doing.

Implicit: Implicit is one of the deeper meanings of a film, in which the vast majority of people fail to analyze and understand due to focusing only on the referential and explicit meanings and only the narrative itself in the film. Implicit refers to the understanding of how the characters change throughout the film and usually require the viewer to be aware of their subjectivity and how the film makes them feel personally. A good word to help moviegoers understand this form of meaning is metaphor. Relating the actions within the narrative, that are not explicitly told, with ideologies and issues with the real world can help the viewer grasp a true understanding of why the film truly even exists and the understanding of the actual message that the director wishes their audience will receives and understand. Much of European filmmakers take this meaning very importantly in their films, making much of the collective European cinema regarded as works of art because of the strive to make us understand our subjectivity and its relation to the objective world. Much of the cinema from the United States, or "Hollywood" as referred to the rest of the world, do not focus as hard on this meaning due to the majority of films depicting a "hero that saves the girl, defeats the bad guy, and lives happily ever after." Which we can even relate to today with the extensive amounts of reboots, superhero films, and overall small catalog of genre films.

Not saying that they aren't good, I personally enjoy them myself, and some can be regarded as "spectacle art" for sure, but I digress.

Symptomatic: Last but not least, symptomatic falls under another meaning that is overlooked by the typical moviegoer. Unlike the other three, symptomatic doesn't relate to the different meanings behind the narrative, but more towards the relation it has to our reality and why it relates to the time period in which it was filmed and released. For example, making a film about the issue of German identity or lack there of in Germany after World War II. Many Germans had no clue what their place was in society, but that inspiration fell into the filmmakers hands to present a new way of looking at the issue and proposing a solution to the German people. Or even creating a film about leadership today and how in real time it relates to the recent election of Donald Trump.

Being able to understand and consciously search for these four meanings within a film can ultimately allow the viewer to gain a better appreciation for the film as well as a more informative approach behind the directors motives when they were making the film.

Friday, November 18, 2016

The Bolex

Although to some it can be difficult to tell the difference between content that is shot on film or with video, both are still widely used to this day. One of the most well-known brands of film cameras are Bolex. With a variety of Bolex cameras that can be used for different occasions, many filmmakers use a Bolex to shoot their films and related projects because to some, the quality appears to be more vibrant and produces a greater viewer experience when projected on the big screen. In a internet design course that I studied at the University of Toledo, I created a website on Weebly regarding the Bolex. The website walks you through a brief background, how to use, how to load, and even some information on a project that I shot with a Bolex in one of my film courses at the University of Toledo.

Check it out below!
                         

http://loadingthebolex.weebly.com/

Wednesday, November 16, 2016

The Three Phases

Any film or television format is created through each of the three phases. Many people know these three phases but it is very important to remember the significance and planning that goes into each one.

The first phase is: PRE-PRODUCTION

This phase is extremely important, and probably the most important phase that goes into the planning of a television show or feature film. With that being said, this is obviously regarded as the phase that deals with planning out your film. This phase includes the writing of scripts, budget, finding crew members, gathering equipment, scoping out areas, and the decision of whether or not the production is doable and if the message you wish to send to your audience is receivable.




The second phase is: PRODUCTION

This phase is where the hands-on work takes place. Entering this phase usually means that you are finished with the planning and scripting for your project and are ready to begin shooting and bringing your script to life. Right before this phase is typically where actors are brought in and are prepared through a quick script-reading so that they can understand the character they are playing and can prepare themselves to bring said character to life. This phase is also very straight-forward and is not completed until the production of the project has wrapped or in other words all of the shooting and recording is completed for the entire project.




The third phase is: POST-PRODUCTION

Finally, there is the post-production phase. This phase is personally my favorite though, however, I do love each phase and what each of them have to offer. During this phase the film/video is edited. Sound, special effects, types of transitions, credits, titles, filters, chroma keys, etc., all of this stuff is added within the post-production stage and what truly brings your project to life by adding in the finishing details that were not actually there when filming. Again, everything from music to the backgrounds added on a green-screen is done within this phase and the finished project is more than likely the product that your audience will see on the big screen or where ever the showing of the film is.

Monday, November 7, 2016

About this Blog

Have you ever wanted to know what goes into the movies that you love and watch? In this blog, I plan to discuss everything film & video, along with different terms that are important to remember. In this blog I will go over the different lenses for cameras as well as discussing different terms like aperture, lens speed, focal distance, etc. I also plan to include a few blogs about specific films from Europe, America, and maybe a few films made in a few third world countries and discuss the different reasons how they can be seen as artistic. In case you were ever interested in learning a little bit of what goes into a film production, this is the place to be!